Wednesday 26 April 10:00 - 18:00
Thursday 27 April 10:00 - 18:00
Friday 28 April 10:00 - 18:00
Saturday 29 April 10:00 - 18:00
Sunday 30 April 10:00 - 18:00
Tuesday 2 May 10:00 - 18:00
Wednesday 3 May 10:00 - 18:00
Thursday 4 May 10:00 - 18:00
Friday 5 May 10:00 - 18:00
Saturday 6 May 10:00 - 18:00
Sunday 7 May 10:00 - 18:00
Tuesday 9 May 10:00 - 18:00
Wednesday 10 May 10:00 - 18:00
Thursday 11 May 10:00 - 18:00
Friday 12 May 10:00 - 18:00
Saturday 13 May 10:00 - 18:00
Sunday 14 May 10:00 - 18:00
Tuesday 16 May 10:00 - 18:00
Wednesday 17 May 10:00 - 18:00
Thursday 18 May 10:00 - 18:00
Friday 19 May 10:00 - 18:00
Saturday 20 May 10:00 - 18:00
Sunday 21 May 10:00 - 18:00
Tuesday 23 May 10:00 - 18:00
Wednesday 24 May 10:00 - 18:00
Thursday 25 May 10:00 - 18:00
Friday 26 May 10:00 - 18:00
Saturday 27 May 10:00 - 18:00
Sunday 28 May 10:00 - 18:00
Tuesday 30 May 10:00 - 18:00
Wednesday 31 May 10:00 - 18:00
Thursday 1 June 10:00 - 18:00
Friday 2 June 10:00 - 18:00
Saturday 3 June 10:00 - 18:00
Sunday 4 June 10:00 - 18:00

Albert Mayr - Time Aspects

Bolzano

Beginning: 10:00

End: 18:00

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35 dates
from Wednesday, 26 April 2023
to Sunday, 4 June 2023

This event already took place.

Info

Bolzano City Centre, Museion Passage
Museion,
+39 0471 223413,
info@museion.it
More information about:

Description

Museion Passage – a free-admission space dedicated to highlighting the museum collection and its ties to the local area – opens an exhibition that pays tribute to the South Tyrol artist, musician and composer Albert Mayr on the occasion of his eightieth birthday.

Museion has chosen to mark Albert Mayr’s 80th birthday by focusing on aspects that are central to his extraordinary art-music work, with an exhibition in Passage, on the ground floor of Museion, where he will be celebrated with a range of his works from the 1970s, ‘80s and ‘90s preserved in the museum collection.

Mayr has composed electronic music and written articles and theories on the need to rethink our relationship with time, beyond its role within music. At the heart of his work, in fact, we find a wide concept of music in which daily life and its sounds play an important role.

His poetics are based on “time design”. On one hand, he treats the development of “time tabeling” – that is to stay, the creation of timetables or time plans – as a creative discipline. On the other, he investigates the perception of sounds, and their repetitions, pauses and overlaps, in a concrete, spatial environment. In this way, he interprets the structure of time as music and extracts the aesthetic qualities from the sounds he finds there.

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